Support the work

A commissioned painting has someone who asked for it. A painting made freely has no one — and that, I am convinced, is where the best work comes from.

0.0 days a week of studio time funded
Goal: 2 days a week

A monthly contribution does not buy a painting. It buys time: days in the studio where I need not think about what sells, how large the canvas may be, or when it has to be finished.

That freedom is not a luxury but the condition. The work I believe in most began almost always without a plan and without a buyer — a study that took far too long, a canvas too large to be sensible. That is the work you make possible.

Nothing is offered in return: no print, no first refusal, no name on a list. A reward would turn a gift into an order, and the very freedom it was all for would be gone again.

What it is all for
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